Available NOW as WRATH, RUIN AND A RED NIGHTFALL: The Art of John Cockshaw by Oloris Publishing and Amazon.


Welcome to the blog and this collection of original artwork inspired by The Lord of the Rings and J.R.R Tolkien's wider mythology of Middle-earth. Aside from the influence of the source writing of Tolkien influence is also drawn from Director Peter Jackson's film trilogy (2001-2003) and the highly regarded Tolkien illustrators Alan Lee and John Howe. The magnificent musical score written for the film trilogy by Howard Shore also holds a significant influence upon the atmospheric and evocative quality of the works in this collection. From Mordor to the Misty Mountains combines landscape, miniature-scale and composite photography to depict locations, dramatic scenes and characters from the enduringly popular stories.

Contact: johncockshaw@gmail.com

PLEASE NOTE: This blog showcases Artwork (completed and in progress) and related exhibition news. There is NO option to purchase Art through this site at this time. Please visit from time to time as this may well change soon.

Copyright of all images belongs to John A Cockshaw

3.9.13

Ring at rest (a sunken secret)

River-bed for a ring


The text below refers to the plight of Isildur

"...he was ever swept down towards the tangles of the Gladden fields...There suddenly he knew that the Ring had gone.  By chance, or chance well used, it had left his hand and gone where he could never hope to find it again.  At first so overwhelming was his sense of loss that he struggled no more, and would have sunk and drowned.  But swift as it had come the mood passed.  The pain had left him.  A great burden had been taken away."

Unfinished Tales  J.R.R Tolkien
Part Three: The Third Age
Chapter 1: Disaster of the Gladden Fields p.275

This newly finished ring piece will accompany the other studies in the collection to form a depiction of the journey this central object takes through Middle-earth.  In practical photographing terms the key was to find an area of water shallow enough to place the prop in and be in control but deep enough to create the illusion of significant water depth.  The lighting conditions were not quite as I wished but ultimately this added to the murky quality of the colouring which proved quite useful.



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